One thing that I found particularly striking, however, was something independent (so far as I can perceive) of any formal characteristics of the performance itself. I refer to the lyrics of the Shaker song "Simple Gifts" (you've heard it), a rendition of which the band started into shortly after I arrived:
-  - 'Tis the gift to be simple, 'tis the gift to be free, - 'Tis the gift to come down where we ought to be,
 
- And when we find ourselves in the place just right, - 'Twill be in the valley of love and delight.
 
- When true simplicity is gain'd, - To bow and to bend we shan't be asham'd,
 
- To turn, turn will be our delight, - Till by turning, turning we come round right.
 
 
- 'Tis the gift to be simple, 'tis the gift to be free, 
I have no idea what confluence of psychic contents, social setting, and neurophysical reactions to rhythmic/melodic influences caused me to perceive this semantic echo of 5th century B.C.E. India in a composition from 19th century C.E. New England, but the all-too-infrequent sense of what I can only subjectively term "transcendence" was undeniably attached to it.
 
 
 
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